
Kyle Bevan was one of the most reviled men in Britain — convicted of murdering his partner's two-year-old daughter, Lola James, in a case that shocked the country. In November 2025, he was found dead in his cell at HMP Wakefield, one of the UK's highest-security prisons. Three fellow inmates are now on trial at Leeds Crown Court, accused of his murder. The trial, which began this month, is expected to run for several more weeks. All three men deny the charge. This is what we know so far — and what it reveals about life inside one of Britain's most notorious prisons. Read the full story below.

In Malawi, becoming a chief is a man's world. Or at least, it used to be. When Malawi's first female Ngoni chief took her seat, she did not wait to be accepted. She got to work. In three years, she has personally dissolved 850 child marriages — returning girls to school, to their families, and to childhoods that were being taken from them before they had barely begun. No legislation. No international task force. One woman, one community, and the authority to say: not here, not anymore. This is what leadership looks like when it actually serves the people it is supposed to protect. Read the full story below.

While male characters are granted the human agency to be violent out of simple greed or malice, cinema frequently hits a psychological wall when it comes to women. The film Obsession proves a bizarre double standard: to make a female antagonist exhibit the same baseline level of violence as an average man, the narrative must invoke the ultimate extremes of demonic possession and magic spells.

In Afghanistan, a woman is already one of the most dangerous things you can be. Now it is getting worse. Following the Taliban's ban on contraception, Afghan women are giving birth without doctors, miscarrying without medical treatment, and losing access to even the most basic medicine. According to recent projections, maternal deaths in Afghanistan could rise by 50% this year alone. Not because of war. Not because of drought. Because of policy. Deliberate, enforced, targeted policy — aimed specifically at the bodies of women. This is not a crisis that crept up quietly. It was built, one restriction at a time, by a government that has systematically dismantled every protection Afghan women had. What is happening now is the result. And the numbers are only going to get worse. Read the full story below.

She was married off at eleven. Assaulted for weeks by men who faced no consequences. Hunted by a government that had never protected her. Then she picked up a gun. On February 14, 1981 — Valentine's Day — Phoolan Devi led an armed gang into the village where she had been held captive and brutalized. Twenty-two men were shot dead on the banks of the Yamuna river. The Indian government launched one of the largest manhunts in Uttar Pradesh's history. They couldn't find her for two years. What happened next is the part nobody expects. The woman India was hunting would go on to surrender on her own terms, spend eleven years in prison without a single conviction, and then win a seat in the Parliament of the country that had jailed her. Twice. This is the real story of Phoolan Devi — the Bandit Queen of India. A story about caste, survival, justice, and what happens when every institution designed to protect you looks the other way. Read the full story below.

After Mean Girls and The Notebook made her one of the most sought-after actresses on the planet, Rachel McAdams turned down five blockbusters in two years and went home. The films she declined — Iron Man, Casino Royale, The Devil Wears Prada, Mission: Impossible III, and Get Smart — grossed billions. She said she needed to hear her own voice again

In 1985, cartoonist Alison Bechdel published a two-page comic strip in which a character stated she would only watch a film if it had at least two women who talked to each other about something other than a man. The last film that had met those requirements, the character noted, was Alien — released six years earlier. Forty years later, that joke is a metric used by Swedish cinemas, European film funds, and Hollywood studios.
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